As RuPaul has said, this is the Golden Age of Dragand thats chiefly the achievement ofRuPauls Drag Rac,/i>e, which in its eleventh year is more popular than ever, and has now become fully mainstream in its appeal. The show has an irresistible allure for folks of all persuasions and proclivities. Yet serious or philosophical discussion of its exponential success has been rare.Now at last we haveRuPauls Drag Race and Philosophy, shining the light on all dimensions of this amazing phenomenon: theories of gender construction and identity, interpretations of RuPauls famous quotes and phrases, the paradoxes of reality shows, the phenomenology of the drag queen, and how the fake becomes the truly authentic.Among the thought-provoking issues examined in this path-breaking and innovative volume:
What Should a Queen Do? Marta Sznajder looks atRuPauls Drag Race from the perspective of rationality. Where contestants have to eliminate each other, the prisoners dilemma and other well-known situations emerge.
Reading Is Fundamental! Lucy McAdams analyzes two different, important speech acts that regularly appear onDrag Racereading and throwing shade.
The Values ofDrag Race. Guilel Treiber observes two competing sets of values being presented inDrag Race. The more openly advertised charisma, uniqueness, nerve, and talent, advancing the skills of every single contender, are opposed by the fading set of acceptance, support, solidarity, and empowerment, which has historically been the cornerstone of the LGBTI+ community.
The Importance of Being Fabulous. Holly Onclin challenges the preconceived notion that drag queens are mainly about female impersonation and instead proposes to understand drag queens as impersonators of celebrity.
RuPaul Is a Better Warhol. Megan Volpert compares RuPaul and Andy Warhol in their shared pursuit of realness.
Is Reading Someone to Filth Allowed? Rutger Birnie asks whether there are ethical restrictions on reading someone, since reads are ultimately insults and could cause harm.
Serving Realness? Dawn Gilpin and Peter Nagy approach the concept of realness inDrag Race, to discuss the differences between realness, authenticity and the nature of being.
Death Becomes Her. Hendrik Kempt explores the topic of death both in philosophy and inDrag Race, starting from the claim that Philosophy is training for death.
Were All Born Naked. Oliver Norman follows up on Rus mantra, We are all born naked and the rest is drag.
Fire Werk with Me. Carolina Are looks into the fan-subcultures ofDrag Race andTwin Peaks, which have come together to form a unique sub-subculture, in which members of both fan-subcultures create memes and idiosyncrasies.
Towards a Healthier Subjectivity? Ben Glaister looks at the wayDrag Race contestants adopt their drag personae almost as second selves, without finding themselves violating their other self.
RuPaul versus Zarathustra. Julie and Alice van der Wielen ask the question, Who would win an intellectual lip-sync battleRuPaul or Nietzsches Zarathustra?
Playing with Glitter? Fernando Pagnoni and pals explore the game and play elements ofDrag Race. Nossa biblioteca on-line fornece literatura completa para download, sem atalhos. Compatível com muitos formatos de livros digitais, nossa biblioteca está pronta para download em seu telefone, iPhone, iPad, Android. Pode Rupaul'S Drag Race And Philosophy da biblioteca on-line em smartphones e tablets com Android iOS. Baixe e-books gratuitos na biblioteca on-line sem se registrar agora!
The Origins of Self-Love. Anna Fennell expounds upon RuPauls question, If you cant love yourself, how in the hell you gonna love somebody else?
The Sublime. Sandra Ryan thinks about Kants concept of the sublime and explores how we find its applications inDrag Race.
You Want to Be Anonymous? You Better Work! Alice Fox watchesDrag Race through the lens of criminal law and the problem of decreasing anonymity through ubiquitous data surveillance. Drag Race can teach us how to create misleading patterns of online behavior and public presentation to render the blackbox persona useless.
Drag an. . .